These are bas-reliefs on silver plate. The sizes range from 5×5 cm to 10 cm in diameter. The artworks are offered on a metal sculpture base, in a 22×22 cm numismatic / medal velvet package or in a 24×30 cm collection / museum cardboard package. For any information contact us using the form at the bottom of the page.
These are bas-reliefs on silver plate with personalized themes according to the client’s requests. The sizes range from 5×5 cm to 10 cm in diameter. The artworks are offered on a metal sculpture base, in a 22×22 cm numismatic / medal velvet package or in a 24×30 cm collection / museum cardboard package. For any information contact us using the form at the bottom of the page.
General gallery of toreutics artworks, bas-reliefs on silver plate created by Mario Eremita. The sizes range from 3×3 cm to 10 cm in diameter. The artworks are offered on a metal sculpture base, in a 22×22 cm numismatic / medal velvet package or in a 24×30 cm collection / museum cardboard package. For any information contact us using the form at the bottom of the page.
Works created by Mario and Michelangelo Eremita in 2003 for Beni Stabili spa. A collection of panel paintings on the theme of the masks of the Comedia de l’Arte and beyond. The thirteen pieces were placed inside the “Le Maschere” restaurant of the San Clemente Island Resort in Venice.
Each work measures 50 x 70 cm and is a painting on wood.
The refinement of the lines and the shades of color stand out, making these classic themes still original and stimulating. In particular we focus on Flora, Pegasus, Poseidon, Ra and Venice. The former come from mythology and mysticism, the latter is a tribute to the city of Venice; everyone was transformed into masks, as if they were characters invited to a carnival party who wanted to wear the strangest disguises.
The artist Mario Eremita acquired his own art studio in 1991 in the town of Paderno di Ponzano Veneto in the province of Treviso. The property, consisting of two sections, a medieval watchtower, whose foundations date back approximately to the 13th century and an annex dating back to the 16th century, is in a state of serious deterioration.
After taking care of the renovation project, supported by his sons Nicola and Michelangelo, he decided to enrich it with multiple art inserts. The entrance, consisting of a large arch with a wrought iron gate, introduces an “opus incertum” mosaic, made with different types of granite, inspired by the theme of the sea, which represents three dolphins and two gigantic octopuses. The work extends over twenty-five square meters and is evocative and monumental. The perimeter walls instead accommodate: a work in stucco bas-relief, which represents girls playing various musical instruments and children playing, entitled “Harmony”; a wall painting entitled “The Seasons”, a girl carrying in her womb the fruits and flowers of the Seasons of the year.
What is special about this Artist’s Studio are the stairs. They have become a support for bas-reliefs and paintings: everywhere, along the climb, you come across figures dancing or making music.
The ceiling of the Painting Studio is entirely made in bas-relief and represents girls dancing in the sky.
The room at the top of the tower is the last room of the Artist’s Studio. Here, along the walls, paintings are made with a particular technique that gives an effect of plasticity and freshness. Inserted in three arch-shaped niches, three women dance naked.
In 2001 the Studio was sold to the artist photographer Andrea Pancino. He, passionate about Eremita’s works, redesigned all the rooms according to his own very refined aesthetic tastes, preserving and further enhancing the art of the previous owner. A few small moves and a calibrated intervention to remodel the spaces gave birth to an environment that elevates the quality of life, stimulating reflection, contemplation and the desire to always surround oneself with beautiful things. This architectural structure which, due to its antiquity and the different uses it has had over time, has taken on strong characteristics of suggestion and mystery, became an Artist’s Studio, receiving a unique expressive intensity, then passing through a new declination with the intervention of another artist, younger and with a different sensitivity, is a monument to the art that remains in the community of Ponzano Veneto. It is a mixture of emotions that are distributed between history and the present, between the material of art, concrete and spiritual, and the past which was concrete but which now lies, as a memory.
The artist Mario Eremita purchased the property in 1983. It is a very old house, the central part probably dates back to 1200. It was remodeled over time, finally becoming part of the neighboring Venetian Villa of Queen Cornaro of Cyprus where Giovan Battista Tiepolo painted his magnificent frescoes including the famous “Flora” , now preserved at the “Bailo” Museum in Treviso. The house was in a state of complete abandonment and Eremita intended to carry out a recovery that would keep the structures and openings intact but which would allow the interiors to be completely rethought so that they were suitable for hosting his contemporary art inserts. Inside, Eremita has freed his imagination by creating a personalized environment. The following were performed:
This creation is a free expression of the imagination of the Artist who created an environment that is an expression of his art. The life lived inside an artist’s house is not comparable to that lived in a conventional home. The artistic embellishment of the premises offers a very stimulating dialectical perspective and makes the aesthetic experience a natural part of everyday life, allowing the enrichment of the mind, reflection and contemplation; experiences with high added value.
It is a painting on fabric created by Mario Eremita for the Distric Prize of Ponzano Veneto ( Treviso ). It is a “White” Prize which represents the Madonna and Child and the distinctive signs of the four districts of the Municipality of Ponzano Veneto, a town in the province of Treviso where every year in september this anniversary is celebrated with a series of competitions based on strength, resistance and intelligence.
The studio has been entirely enriched with art inserts, works by Mario Eremita and his son Michelangelo Eremita. The name of the place itself has been interpreted and inserted into a bronze sculpture.
There are: a plastic stucco bas-relief measuring 2 meters in length and 1.2 meters in height with the theme of musicians and the cornucopia; paintings on wood dedicated to mythological themes such as “the birth of Venus”; “Venus”; “Apollo and Daphne”; “Endymion”; “Venetian Lagoon”.
The works and themes performed are the result of philological research which aimed to associate the classic cultural references of aesthetic beauty with body care. Greek mythology was chosen for these inserts. The works were created between 1999 and 2001.
High relief made directly on the wall with plastic stucco. The overall dimensions are approximately 5 linear meters by 5 vertical meters. The subjects are figurative and dedicated to music, as the customer is passionate about this art.
Below, towards the entrance of the house, a cornucopia was created, a symbol of abundance and prosperity. The work was treated with a homogeneous color which enhances its high relief.
The human figure, in the forms of cherubs and girls, is Mario Eremita’s favorite subject. Humanity integrally runs through the entire imagination of this artist: from grace to the apocalypse.
It is only in this way that one can approach a reading and an in-depth analysis of the value and meaning of Eremita’s art; observing it and welcoming it in all its articulation and vastness.
High relief made directly on the wall with plastic stucco in 1993. The overall dimensions are approximately 2.5 linear meters by 1.5 vertical meters. The subjects are figurative and dedicated to music and the cornucopia, symbol of abundance. The work was treated with a homogeneous color which enhances its high relief. The human figure, in the forms of cherubs and girls, is Mario Eremita’s favorite subject. Humanity integrally runs through the entire imagination of this artist: from grace to the apocalypse It is only in this way that one can approach a reading and an in-depth analysis of the value and meaning of Eremita’s art; observing it and welcoming it in all its articulation and vastness.
